Panache's Valentine's Day VILLAGE OF LOVE Planned Parenthood of Los Angeles Benefit Concert Special performances by these artists performing their favorite love songs and cover songs

Planned Parenthood of L.A.

Panache's Valentine's Day VILLAGE OF LOVE Planned Parenthood of Los Angeles Benefit Concert Special performances by these artists performing their favorite love songs and cover songs

Ty Segall, Kevin Morby, King Tuff, Mikal Cronin, Jennifer and Jessie Clavin (Bleached), Entrance, Tim Rutili, The Cairo Gang, Shana Cleveland (La Luz), Shannon Lay, DINNER, Gal Pals, Warm Drag, Rodrigo Amarante, plus Special Guest and Permanent Records DJs

Tue, February 14, 2017

Doors: 6:00 pm / Show: 7:00 pm

$35 Advance - $40 Day of Show

Sold Out

This event is all ages

Official ID required for those who are 16+.

Anyone under the age of 16 must be accompanied by a parent or guardian.

Ty Segall
Ty Segall
THE SEGALL HAS LANDED. And it's fully loaded with everything that Ty Segall (and you and me) are gonna need in the world to come. Sticking his hand deeper into the machines all around him, Ty is reaching ever further to the outer limits of inner space orbited throughout Twins and Sleeper. And now more than ever, the chunks of the world that came before are like asteroids formed in his image, picking up speed. Still fighting the power with all the energy that a determined mind-patriot can conjure, Ty's a fighter who loves, a surfer, a spaceman, and yeah, a casualty – like you, he'll never be free. But unlike you, he knows it – and when he goes down and his head cracks in two, out pour the multi-colored manias that make up Manipulator. Sour sweet declarations featuring freaks and creeps alike: "The Singer," "The Faker," "Mister Main," "Susie Thumb," the "Connection Man," and "The Crawler," to name but a mutant fistful.

To see these peeps, to realize their dreams and visions, Ty kept working, kept writing, laying down more tracks than ever. New musical expressions pop and surprise relentlessly throughout all the knockout tunes of Manipulator which feature Ty's helium cooled vocals, sounding more powerful and dynamic than ever, and many sounds in the mix, but most of all, SO many guitars! Strangled-neck solos recalling the good old days down by the river with Neil, numbed-and-unplugged discursions, three-quarter quartets raising their din in a few key places, waves of sparkling acoustics with ominous, Love-ly undertones – and then, torrents of filthy git-grunge, exploding into the chorus, washing everything away, fusing the blackness of Sabbath with the grime and grab-ass of the Stooges and the sweet swinging tones of the Stones. All in the name of getting higher on the music. Why have one guitar solo when you can have a few in the same space? There's so little time, and a LOT to say.
Kevin Morby
Kevin Morby
City Music is an airplane descending over frozen lakes into Chicago. City Music is riding the Q Train out to Coney Island to smell the ocean and a morning in Philadelphia where greats cranes reconfigure the buildings like an endless puzzle. City Music is a quiet afternoon moment on a bench in Baltimore, a highway in Seattle at night where the distant houses look like tiny flames and a bottle of red wine being drained on a bridge in Paris. City Music is a bus pulling into St. Louis at dawn where the arch looks like a metal rainbow reflecting the days early sunlight.
City Music is also the new album by Kevin Morby. Full of listless wanderlust, it's a collection inspired by and devoted to the metropolitan experience across America and beyond by a songwriter cast from his own mould. As he puts it: "It is a mix-tape, a fever dream, a love letter dedicated to those cities that I cannot get rid of, to those cities that are all inside of me."
His fourth album, City Music works as a counterpart to Morby's acclaimed 2016 release Singing Saw, an autobiographical set that reflected the solitude and landscape in which it was recorded. It was imagined as "an old bookshelf with a young Bob and Joni staring back at me, blank and timeless. They live here, in this left side of my brain, smoking cigarettes and playing acoustic guitars while lying on an unmade bed."
And now follows City Music, the yang to its yin, the heads to its tails. It is an collection crafted using the other side of its creator's brain, the jumping off point perhaps best once again encapsulated by an image. "Here, Lou Reed and Patti Smith stare out at the listener," explains Morby. "Stretched out on a living room floor they are somewhere in mid-70s Manhattan, also smoking cigarettes." It finds Morby exploring similar themes of solitude, but this time framed by a window of an uptown apartment that looks down upon an international urban landscape "exposed like a giant bleeding wound."
Morby rose to prominence as bassist in Woods, with who he recorded seven albums on Woodsist Records (Kurt Vile, The Oh Sees, Real Estate) while also forming The Babies with Cassie Ramone of Vivian Girls. Two albums and a clutch of classic singles with the latter followed. Morby's 2013 debut solo work Harlem River was a homage to New York and featured contributions from artists including Cate Le Bon and Tim Presley (of White Fence), while 2014's Still Life garnered universal critical praise. "It's easy to picture Morby with a wineskin under his arm," noted a Pitchfork review. "His every worldly possession hitched to his back, an eye constantly fixed on some faraway point on the horizon."
Recording at Panoramic Studios, a central Californian home-turned-recording studio, City Music saw Morby joined once again by former The Babies cohorts Megan Duffy (guitar) and Justin Sullivan (drums). Here the vocals were at recorded night, in darkness, overlooking a Pacific Ocean illuminated only by the stars, the wash and whisper of the ebbing tidal a distant soundtrack. Six weeks of European touring had left the trio speaking a secret language that only a band can speak. "The language of a musical family," explains Morby. "There was an outdoor shower with no curtain and deer ran through the front yard during the meals we cooked for each other..." The record was completed with Richard Swift in Oregon (producer of Foxygen, sometime member of The Black Keys).
From the widescreen opening of 'Come To Me Now' through the bubblegum stomp of the Ramones-eulogising '1-2-3-4' (which also references late poet Jim Carroll's litany of friends lost, 'People Who Died'), a stripped-back and wistful cover of 'Caught In My Eye' by nihilistic LA punk wrecking crew Germs and on to Leonard Cohen-evoking closer 'Downtown's Lights', City Music reads like a selection of musical postcards composed and posted in the moment. It is a forensic and poetic examination of a modern America in love with the myth of itself.
At the big beating heart of these songs is the voice and conscience of the city. All cities. We see them viewed from differing angles; from down in the gutter, and drifting up into the celestial firmament. "I am walking through a Chinatown in a major American city and now I am a guitar part taking place in my head," offers Morby by a way of a commentary for the album's inception. "It falls around me like rain, dancing with the neon lights coming off of the signs of the restaurants and bars. Now I am a lamp full of hot air floating away, looking down. The city is beautiful like one million candles with different sized flames, moving in their own directions. A line finds me and grabbing it I hold on tight. I sing to myself, 'Oh, that City Music, oh that city sound...'"
Here the album gives voice to the all those cities speaking the same universal language of chaos and commerce and culture. It views the city as an Oz-like experience, with your host cast as Dorothy, the Scarecrow, the Tin Man and the Cowardly Lion, a narrator by turns innocent, awestruck, fearful and fearless. Where a world once black and white is now rainbow coloured. "I am a city and I have many moods," it says via its human conduit. "I am dangerous and I am gorgeous. Like a proud forest made of metal and brick I am constantly changing shape, growing bigger and smaller all at the same time. I hold you but you do not hold me...."
City Music. Let it hold you.
Ben Myers.
March 2017.
King Tuff
King Tuff
King Tuff Black Moon Spell
September 23, 2014
Sub Pop Records
King Tuff's new record is called Black Moon Spell.
It was produced and recorded by Bobby Harlow at Studio B in Los Angeles, California, in the hot winter of 2014.
No one involved was prepared to make a record, but an invisible hand pushed them to do it. Perhaps it was God or that special someone we all know and love called The Devil.
God and The Devil actually have very similar interests. They both love electric guitars and they both want you to listen to Black Moon Spell and freak the fuck out.
There were many strange occurrences during the recording session- Dracula landlords, flashes of mysterious light, haunted microphones, songs that mixed themselves, demonic vortexes swirling in coffee cups, etc.
Under the Black Moon Spell you may experience euphoria, demented visions, wet dreams, bouts of backwards laughter, and dazed confusion resulting in primordial dancing.
Fire played a very important role in the making of this album. King Tuff loves fire.
For some reason, no one can really explain how the Black Moon Spell came to be. It just appeared one day and demanded heavy rock music and meatball subs.
Backwards messages may be found on this record.
Los Angeles, full of its screaming coyotes and creeping helicopters, surely slathered its sexy, twisted, hairy, polluted spirit all over Black Moon Spell. The Sunset Strip shat itself when it heard all these guitar solos.
A lot of people always ask King Tuff when he's gonna put out a new record. The answer is September 23, 2014. Can you feel the Black Moon Spell creeping up the back of yr neck yet? King Tuff would prefer not to tell you the full story of making this record because its long and crazy and you wouldn't believe him anyway. Also, I am King Tuff.
Magic Jake, who played bass and is beautiful like sunshine, would like to take this moment to give you a hug and invite you to a tanning party on a beach of your choice.
Old Gary, who plays drums and has the most glorious cackle, would like to take this moment to crack a cold one with you and invite you to watch the old ballgame with him.
Old Gary was out watching the old ballgame, so a wild critter named Ty Segall played drums on the song "Black Moon Spell". Ty enjoys speaking in a goblin voice in his spare time.
Night fell on Studio B. A Tarot card leapt from the deck and said, "No human judgement is of any value here." King Tuff agreed.Sub Pop first discovered King Tuff curled up in his palace in Vermont. It was basically a shit hut made of moss, mud, and glimmering stones hidden near the graveyard, and it was guarded by beautiful wild bullfrogs with silver fangs andbaseball bats. Punx, Squares, Skaters, Farmers, Bartenders, Grandparents, Stoners, Carpenters, Hobos, Heshers, Babes, Babies, Plumbers, Strippers, Art Teachers, Teenagers, Townies, Moms, Dads, Truck Drivers, and Witches will all love this record. Every song on Black Moon Spell was written without giving a shining fuck about nothing.
Listen to Black Moon Spell, turn yr volume knob up to 666, put yr lover in a 69, and let yr inner grinagog rear it's wicked, unwashed, smiling snake head.
Listen to Black Moon Spell and give yr ears what they've been begging for all year; a heavily weird, heavenly dark, hysterically magical Rock & Roll Sexperience.
ps. the only part of this story that isn't true is the part about the shit hut. I actually was living at my parents house when i was discovered. Love, KT
Mikal Cronin
Mikal Cronin
MCIII is the third album from Californian singer-songwriter Mikal Cronin. Marked by the lush arrangements, stunning melodies, and deeply personal lyrical work for which Cronin is now known, the album is also a deliberate attempt to simply "go big."

Written and recorded over the course of 2014, between long bouts of touring, MCIII finds the Laguna Beach native splitting his latest full-length statement into two distinct halves. On Side A, behold a shimmering tsunami of furious, undeniable pop songs. On Side B, marvel at a beautifully wrought concept record in miniature, built around the radiant retelling of what Cronin calls his "coming-of-age" story: After leaving California to go to school in the Pacific Northwest, he found himself alone and adrift, struggling with debilitating back pain and a dissolving sense of self. "It's about a pivotal moment in my life that changed things, just within a couple of months," he says. "It was a shifting point that sent me on the path to doing what I'm doing right now."

As he did on his self-titled 2011 debut and 2013's MCII, Cronin arranged and played nearly all of the record himself, including the tzouras, a traditional Greek string instrument he heard and subsequently bought while on tour in Athens. There's French horn, saxophone, and trumpet. There are mood-altering crescendos and heartbreaking turns-of-phrase, guitars both gorgeous and pugnacious. No longer satisfied with the sound of "just one string player," Cronin arranged parts for a full string quartet instead.

"It's a continuation of what I've been trying to do up until now, but I'm finding a better way to do it," he says. "I'm finding a more successful way of working those unexpected elements and textures and instruments into a rock record, of exploring that wormhole and mushing everything together harmoniously. I like riding the line between the two," he adds. "I like finding new ways to bring different musical worlds together."
Entrance
ENTRANCE (Thrill Jockey) AKA Guy Blakeslee best known as the frontman of L.A.'s Entrance Band. As a solo act, he has supported Cat Power, Spiritualized, Warpaint, Father John Misty and Interpol over the past 2 years presenting his unique blend of psychedelia, poetic folk, blues and gospel in its stripped down and raw form. Guy just signed a deal with Thrill Jockey & will have an EP coming out in September followed by a full album in Feb 2017.
The Cairo Gang
The Cairo Gang
The Cairo Gang is the songwriting outlet for musician Emmett Kelly from Los Angeles. Throughout its recorded career, The Cairo Gang has appeared live in various formats, including combinations of the massive creative well of the Chicago improvised scene, plus a two-plus years run as the band backing Bonnie "Prince" Billy. Since about 2012, it has made itself known mostly in the basements of Chicago and the greater Midwestern United States as a loud and raw, rock and roll band featuring Kelly's chiming electric 12-string, the sledgehammer drums of Marc Riordan, Ryan Weinstein's frenzied bass-lines, and gorgeous harmonic vocal and instrumental accomaniment of Sam Wagster and Gillian Lisee.. It has been reflective of a certain surrendering to the error and tenuous nature of arrangement, and the wet embrace of catharsis, improvisation, rock and roll and the spirit thereof, however physical or metaphsical.
DINNER
Dinner is Danish producer and singer Anders Rhedin. Dinner leads a nomadic existence, dividing his time between Los Angeles, Copenhagen and Berlin. Dinner recently released his debut album'Psychic Lovers,' on Captured Tracks. This week he shares the video for album standout "Lie." Stream the video over at Noisey.

"Dinner's music is about parties. And women. Late nights and early mornings in strange cities. But mainly it's about magic and the communion with spirits," Dinner says. "It's like sexual Christian rock, really. But with out all the Christianity."

Recorded in Copenhagen and LA, Dinner finished a version of Psychic Lovers after 4 months of intense work but decided to scrap everything and start over. "One morning in LA, as I was meditating in the garden, I saw this mental image of saturated, distorted light. Inside this texture was this emotional longing. And I instantly knew that I had to start over. I had to put this mental image into sound. That this new music would be different from my previous music, somehow." The reworking of the album took an additional 5 months.

Whether the finished album lives up to Dinner's vision only Dinner knows. Musically, the album exists in its own space between the 80's, 90's and the present. The songs are pop songs held together by somewhat idiosyncratic arrangements. Opener "Cool As Ice" sounds like the soundtrack to David Lynch directing Miami Vice with overdriven synthetic strings and an equally eerie and funky slap bass that slowly grow into a pop structure. "Turn Me On" invokes the feeling of Sade recorded on VHS fronted by Klaus Nomi's baryton-possessed ghost, or a warped jingle from The Home Shopping Network. The song "Lie" has distinct Nico-esque undertones and John Cale-ish overtones wrapped in 80's melancholy, while "Wake Up" and "The World" explore inverted 90's Euro-pop. In the words of mix-engineer Filip Nicolic (Poolside), "The whole album sounds like Chimo Bayo produced by Marquis de Sade." An even more concise definition of Dinner comes from label-mate Mac Demarco: "Great face, great body, great tunes."
Gal Pals
Gal Pals are Jillian Talley (drums) and Lauren Mikus (guitar), a Los Angeles-via-Texas pop gold garage duo. Hear their first record Velvet Rut here: http://papercupmusic.limitedrun.com/products/535488-pre-order-gal-pals-velvet-rut-lp
Warm Drag
Rodrigo Amarante
Rodrigo Amarante
One of the masterminds behind Brazilian band Los Hermanos and founding member of the samba supergroup Orquestra Imperial, songwriter and multi-instrumentalist Rodrigo Amarante is an inescapable musical figure in his native South American home.

Breaking out of the Brazilian market in 2008, alongside friends Fabrizio Moretti and Binki Shapiro, Amarante formed the group Little Joy and the trio released their self titled debut album which gained critical acclaim in the US and worldwide.

Living in the US since then and recording and performing with such artists as Devendra Banhart, Gilberto Gil, Adam Green, Tom Zé, and Marisa Monte, Amarante is now ready to release his stunning first solo album "Cavalo", which will be available worldwide on May 6th.
Venue Information:
The Teragram Ballroom
1234 West 7th Street
Los Angeles, CA, 90017
http://www.teragramballroom.com/