Mandolin Orange

Mandolin Orange

Wed, November 15, 2017

Doors: 8:00 pm / Show: 9:00 pm

$22 advance / $25 day of show

This event is all ages

Mandolin Orange
Mandolin Orange
Lean in to Mandolin Orange's new album, "Blindfaller," and it's bound to happen. You'll suddenly pick up on the power and devastation lurking in its quietude, the doom hiding beneath its unvarnished beauty. You'll hear the way it magnifies the intimacy at the heart of the North Carolina duo's music, as if they created their own musical language as they recorded it.

Due Sept. 30 on Yep Roc Records, "Blindfaller" builds on the acclaim of Mandolin Orange's breakthrough debut on the label, 2013's "This Side of Jordan," and its follow-up, last year's "Such Jubilee."Since then they've steadily picked up speed and fans they've earned from long stretches on the road, including appearances at Newport Folk Festival, Austin City Limits Fest, and Telluride Bluegrass. It's been an auspicious journey for a pair who casually met at a bluegrass jam session in 2009.

"When we finished 'Such Jubilee,' I started writing these songs with a different goal in mind. I thought about how I would write songs for somebody else to record," Marlin explains. "I ended up with a bunch of songs like that, but we chose ones that I still felt personally connected to."

Holed up at the Rubber Room studio in Chapel Hill, N.C., with a full band this time around, they laid down the tracks in a week between touring. They've always been keen on the notion that drawn-out recording sessions don't necessarily yield better results. A good song, and just one good take, will always shine through any studio sorcery.

The passage of time, and the regret that often accompanies it, courses through these songs. "When did all the good times turn to hard lines on my face/ And lead me so far from my place right by your side?" Marlin ruminates on "My Blinded Heart."

In fact, there's heartache by the numbers on "Blindfaller." If you didn't know better, you'd swear "Picking Up Pieces" is a tearjerker George Jones or Willie Nelson sang back in the early 1970s. It's a Mandolin Orange original, of course, and also a poignant reminder of the economy and grace with which Marlin imbues his songs – say what's important and scrap the rest.

A country dirge with soulful washes of pedal steel and mandolin, "Wildfire" details the the lingering, present-day devastation of slavery and the Civil War, with Marlin's voice locking into close harmonies with Frantz on the chorus. "Take This Heart of Gold" opens with perhaps the best classic-country line you'll hear all year: "Take this heart of gold and melt it down." (Marlin admits it was inspired by a Tom Waits lyric he misheard.)

But there's also room for detours. Straight out of a honky tonk, "Hard Travelin'" lets the band shift into overdrive. A freewheeling ode to life on the road, it had been kicking around for a while but never fit on previous releases.

As for the album title, it's meant to evoke a sense of wonder, of contemplation. A "faller" is someone who fells trees, and in this case that person is blind to his/her own actions and those of the world. The spectral cover photo, by Scott McCormick, is open to interpretation, too: Either those trees are engulfed in flames or sunlight is pouring through them. It's up to you.

"We wanted different vibes and different intuitions on these tracks," Marlin says, "and I feel like we really captured that."

"When you're gone so much, you start realizing what you have and what's waiting for you," explains Marlin. "You realize this there's place to come back to at the end of the journey.

 The road has been good to Mandolin Orange since releasing This Side of Jordan. NPR called the album "effortless and beautiful," naming it one of the year's best folk/Americana releases, while Magnet dubbed it "magnificent." It earned them performances everywhere from the iconic Newport Folk Festival to Pickathon, as well as tours with Willie Watson, Gregory Alan Isakov, The Wood Brothers, and more.

For the Such Jubilee sessions, Marlin and Frantz set up facing each other in Asheville's Echo Mountain studio to capture the undeniable chemistry of their live performances. On "Settled Down," Marlin looks at what it takes to find that nearly-telepathic level of comfort in a relationship, while "Daylight" looks for peace in long-term companionship, and "That Wrecking Ball" meditates on the sometimes ravaging passage of time. Not all of the songs are purely introspective, though, as "Jump Mountain Blues" brings to life a haunting Native American legend, and the ambitious "Blue Ruin" was penned in response to the horrific violence at Sandy Hook.

Such Jubilee is a record about home, both the place and the idea. Some days it's a safe, warm, loving refuge from the world outside. Other days it's cold and empty and too quiet. Either way, it's always waiting for you at the end of the road.
Venue Information:
The Teragram Ballroom
1234 West 7th Street
Los Angeles, CA, 90017
http://www.teragramballroom.com/