Moon Block Rock N Roll Circus featuring Fever the Ghost, Morgan Delt, Vinyl Williams,  JJUUJJUU and Hott MT

Moon Block Rock N Roll Circus featuring Fever the Ghost, Morgan Delt, Vinyl Williams, JJUUJJUU and Hott MT

Sat, January 9, 2016

Doors: 8:00 pm / Show: 9:00 pm

$10 - $12

This event is all ages

Moon Block Rock N Roll Circus is a live show in the form of a continuum, combining celestial brethren FEVER THE GHOST, MORGAN DELT, VINYL WILLIAMS, JJUUJJUU & HOTT MT together in a seamless night of hyper-dimensional art & music.

In other words, there will be no sets or switchovers, just one continuous performance that blends each band, it's members, their songs, and instrumentation.

Installation artists: Exodus, Brad Hansen, and more.

Official ID required for those who are 16 +
Anyone under the age of 16 must be accompanied by a parent or guardian.

 

Fever the Ghost
Transmitting cosmic narratives and inventive song structures, Fever The Ghost's new sprawling pop saga 'Zirconium Meconium' (released September 25, 2015) sleekly marries the group's esoteric tendencies with an inescapable melodicism. Described by the band as a 'collection of songs musically interpreting the third dimensional integration process from the perspective of vital force energy incarnating into the physical world' – the album's title offers a little more insight to the band's eccentric proclamation. Zirconium is known as a stone of balance referring to the physical, emotional and spiritual. Meconium is the earliest stool of a mammalian infant. In plainer terms, the title highlights the album's organic creation process, combining interstellar vibrations and a sense of youthful wonder into into an unparalleled pop sound.

The album's introduction "Metempsychosis" (meaning the supposed transmigration at death of the soul into a new body of the same or a different species), sets the ominous tone for the journey before giving way to the riffing stomp of "Rounder II" showcasing Fever The Ghost's aversion verse-chorus structure and uncanny ability to synthesize glam/psych/kraut rock, groove-based music, and experimental electronic sounds with radio friendly hooks into addicting sci-fi pop.

Lush moments on the album, like "Sun Moth" and "Peace Crimes" soar with entrancing atmospheres, while "Vervain (Dreams of an Old Wooden Cage)" and "Fathoms" strike a dynamic balance between the delicate and raucous. Fever The Ghost steps out even further into new territory on the catchy "1518", meshing their signature elements into dance structures. "Equal Pedestrian" sonically tips its hat to the whimsical electro-pop spirit of Yellow Magic Orchestra.

'Zirconium Meconium' comes on the heels of the Crab In Honey EP, which received much adulation from critics and peers alike. (Wayne Coyne affectionately saying about the EP in Mojo, 'They're great musicians but don't give a fuck about that, they just love a drum machine for the sound.'"

Fever The Ghost's genuinely weird (and weirdly accessible) sound sinks its hooks into you deeper each successive listen. In just the last year, the Los Angeles-based band has toured extensively with the likes of The Flaming Lips, Sean Lennon, and a recently wrapped east coast run with Temples. The band also contributed to last year's Beatles' tribute 'A Little Help From My Friends,' curated by Coyne.
Morgan Delt
"Psychic Death Hole," the ultra-limited six-song cassette released early in 2013, introduced the world to Morgan Delt's self-produced, genre-bending flavor of brown acid-dosed flowerdelia. Equal parts Odyssey & Oracle' and 'Parable of Arable Land' Morgan Delt's debut S/T LP expands on those initial tracks and brings forth one a fully realized glimpse into the California native's twisted brain.

Morgan cites influences from Curt Boettcher to West Coast Pop Art Experimental Band and rounds it out with golden age sunset stip heavies like The Byrds and Love. It's all in there—obsessively studied, mastered and then mutated. Side one opens with the one/two punch of 'Make My Grey Brain Green' and 'Barbarian Kings' blasting apart 40 years of pop- psych and stitching it back together in a way that is both familiar but also refreshingly new. 'Beneath the Black and Purple' soars with a chiming guitar grumble right out of '8 Miles High.'' & "Chakra Sharks" squirms it's way out of the speakers like a snake - oiled up with the stink of not only what came before, but what's happening NOW. The drums pound hard & heavy, while the backups "la la- la" all over your noggin like a Frankenstein version of The Flaming Lips & Thee Oh Sees. Each track worms its way into your brain and takes hold.

The finale, 'Main Title Sequence,' is all Stu Phillips- worship, right out of the soundtrack to your favorite 60's cult classic with it's angelic backing vocals and lilting tremolo lead but somehow still buzzes with a modern current. As Morgan so keenly described his notion on the current state of genre bending music "I think we've become unstuck in time and everything is going to happen all at once from now on."
Vinyl Williams
Vinyl Williams
Vinyl Williams is a project by Lionel Williams, local Los Angeles artist & musician. The unfolding of VW's sonic & visual work has glimpsed into the celestial aristocracy – impressionistic realms beyond cognition, namely inter-dimensional landscapes & civilizations, and inexplicably blissful moods of uncertain unfamiliar treasure.

The new album "Into" was released last July on Carpark / Company Records.

For fans of: Woodsman, Belong, Tim Hecker, Pure X, My Bloody Valentine, Can.

Recent support slots include: Unknown Mortal Orchestra, & Toro Y Moi.
JJUUJJUU
JJUUJJUU
JJUUJJUU is an astral union, an arcane ritual, and above all, a conversation. Harnessing an unspoken energy, the duo have exponentially blossomed from a sonic experiment to a forceful, telepathic dialogue of distinct-but-aligned vibrations. Releasing this dynamic on an expanding spiral of planned and impromptu live shows in the American southwest, the magnetism of the duo only continues to grow, along with its devoted, traveling coterie of entranced acolytes.
Hott Mt
Hott Mt
International sensation HOTT MT (Hour Of The Time Majesty Twelve), is an experimental post-pop collective based in Los Angeles, CA. HOTT MT is the result of an ongoing curiosity project between Queen Ashi Dala and Spooky Tavi, which expanded to include multi-instrumentalist Bahd Bad in December of 2011, and guitarist Guitty Dryver and drummer Chairman Towel in early 2012. Thoughts and anxieties about myth, experience, conspiracy theories, and Thailand fuel the groups explorations.

HOTT MT made headlines in 2012 when they drove from LA to Oklahoma City to pay homage to Wayne Coyne of The Flaming Lips. The trip resulted in a collaboration between Coyne and HOTT MT on the song "Never Hate Again", and the song "2012" featuring Ke$ha and Biz Markie. "Never Hate Again" was released by Origami Vinyl in August 2012 with an accompanying video also featuring Coyne. "2012" was released as the lead track on the Flaming Lips collaboration album Heady Fwendz.

HOTT MT's debut LP "I Made This" was released in May, and they recently completed work w/ The Flaming Lips on a Stone Roses cover album (release TBD). Live highlights include shows supporting Bat For Lashes, Wavves, Frightened Rabbit, Ra Ra Riot, Django Django, Robert DeLong, Hands, and The Flaming Lips, including their Guinness World Record setting event.
Venue Information:
The Teragram Ballroom
1234 West 7th Street
Los Angeles, CA, 90017
http://www.teragramballroom.com/