OCS (A mellow sit-down set with John Dwyer, Brigid Dawson, Tim Hellman, Paul Quattrone, Tom Dolas)

OCS & Panache present

OCS (A mellow sit-down set with John Dwyer, Brigid Dawson, Tim Hellman, Paul Quattrone, Tom Dolas)

Ty Segall, Shannon Lay

Sat, December 16, 2017

Doors: 8:00 pm / Show: 9:00 pm

$20

Sold Out

This event is all ages

OCS (A mellow sit-down set with John Dwyer, Brigid Dawson, Tim Hellman, Paul Quattrone, Tom Dolas)
OCS (A mellow sit-down set with John Dwyer, Brigid Dawson, Tim Hellman, Paul Quattrone, Tom Dolas)
It is easy to forget (especially amidst the ringing of ears and aching of muscles after your typical Oh Sees show) that initially, OCS was a rather hushed affair. After the minimalistic brutality of Coachwhips, OCS was a diametric opposite corner of John’s musical world, quiet to the point of whispered in the wind, buffeted by the airy whirr of singing saw, soft and strange. Those early records especially had a rather contraband hush about them, as if the party has gone on all night and continues into the morning but everyone’s raspy from talking too much and gradually agrees to whisper and pantomime as they watch the sun come up over the hills. Since then of course, things got gradually louder, faster, crazier…the band evolved since then into the Oh Sees everyone knows. For the 20th Oh Sees release, 100th Castle Face title, and 20th year doing it, John re-examines the quieter roots of it all in particularly baroque and homesteadly fashion. Memory of a Cut Off Head was co-written with longtime collaborator and vocal counterpoint Brigid Dawson, recorded in total in John’s own Stu Stu Studio, and it’s lush, sumptuous in texture, but satifyingly retains the gentle grace of the early stuff. There’s beautifully executed strings throughout, courtesy of Heather Lockie’s fine arrangements, horn arrangements courtesy of Mikal Cronin, and they even brought back the old saw – Patrick Mullins, that is – on saw and electronics. A return and a refinement of old forms, a few solemn meditations on life lived at high velocity, perhaps a respite from it…a softer side of JPD and distinguished company.
Ty Segall
Ty Segall
Ty Segall has made whole records that wrestle with realities – fighting against some, pulling mightily to bring others into being. His new self-titled record – the next record after Emotional Mugger, Manipulator, Sleeper, Twins, Goodbye Bread, Melted, Lemons and the first self-titled album that started it up in the now-distant year of 2008 – is a clean flow, a wash of transparency falling into a world that needs to see a few things through clearly, to their logical end. It’s got some of the most lobe-blasting neckwork since the Ty Segall Band’s Slaughterhouse (from way back in the long, hot summer of 2012), but it also features a steep flight of fluent acoustic settings.

The construction and destruction of his chosen realities has, until now, been a luxury Ty has rightfully reserved for himself, striping overdubs together to form the sound – but for this new album, he entered a studio backed by a full band – Emmett Kelly, Mikal Cronin, Charles Moothart and Ben Boye – to get a read on this so-called clarity. This leads to a new departure in group sound, as well as some of the most visceral and penetrating vocal passages yet heard from Ty Segall. Take debut single, “Orange Color Queen,” for example — a supreme moment of tenderness.

Ty Segall keeps you guessing, bracing your skin with a welcome astringency, seeking to stem the bleeding with chunks and splashes of guitar, tight beats, audio-verite toilet smashes, a Wurlitzer electric piano in a jam, blazing harmonies, and LOTS of songs to sing. There’s no concept beyond that; finding the right places to be is a momentary thing. Ty Segall is the sum of his songs – and about getting the free. The free to be!

Ty Segall is out January 27th on Drag City Records, and available for pre-order now. All iTunes pre-orders come with an instant grat download of “Orange Color Queen,” which is also available to stream and download via dragcity.com. Ty Segall and his magick band will tour throughout 2017. All dates are listed below, with more to be added!
Venue Information:
The Teragram Ballroom
1234 West 7th Street
Los Angeles, CA, 90017
http://www.teragramballroom.com/